Heba Y. Amin (Cairo| Berlin)

entrance € 10,00 | reduced € 5,00

Muffathalle, Radio 80000

30.10. 20:00 – 21:00

Registration procedure from 60 minutes before the start of the event

In English

  • Rollstuhlgerecht

In late 2013, Egypt made worldwide headlines when authorities detained a migratory stork due to an electronic device attached to its body. It was suspected of espionage. THE GENERAL’S STORK – an ongoing project that includes film, photography, archival material and performance – investigates the politics of aerial surveillance from a bird’s-eye view. Against the backdrop of biblical prophecies, colonial narratives and drone warfare, this performance confronts the contemporary conditions of state paranoia that turned a migrating bird into an international spy. With new material never presented before, Heba Y. Amin will be presenting the latest iteration of this project.

Lecture Performance  

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By | With Heba Y. Amin

Artist Heba Y. Amin is a Professor of Digital and Time-Based art at ABK-Stuttgart, the co-founder of the Black Athena Collective, curator of visual art for the Mizna journal, and currently sits on the editorial board of the Journal of Digital War. She was awarded the 2020 Sussmann Artist Award for artists committed to the ideals of democracy and antifascism, and was selected as a Field of Vision Fellow, NYC (2019). Heba Y. Amin’s work has been shown in numerous exhibitions including The Mosaic Rooms, London (2021), the Böttcherstrasse Prize Exhibition, Bremen (2018), Eye Film Museum, Amsterdam (2020), Quai Branly Museum, Paris (2020), MAXXI Museum, Rome (2018), Liverpool Biennial (2021), 10th Berlin Biennale (2018), 15th Istanbul Biennale (2017), and 12th Dak’Art Biennale (2016), to name a few. Her latest publication, Heba Y. Amin: THE GENERAL'S STORK (ed. Anthony Downey) was recently published by Sternberg Press (2020) and her works and interventions have been covered by The New York Times, The Guardian, the Intercept, and BBC among others. Furthermore, Amin is also one of the artists behind the subversive graffiti action on the set of the television series “Homeland” which received worldwide media attention.